Althea is the name of a plant  known for its use in herbal medicine and as an ornament.

It inspires the name of a string esenmble whose members come from diverse musical and cultural backgrounds and meet in the vibrant, multicultural city of Montreal to share the joy of playing together and to move the emotions of their audience.

Born as an extension of DuoProQuo, Althea also develops and presents cultural events that span a wide range of musical genres, creating bridges between traditions, styles, and audiences.

Althea nurtures beauty and, like the plant, can spread sweetness and care.

Violin and cello duo concerts on Italian music, Morricone, Rota, Spaghetti Western, Vivaldi, Mozart, Women music,

Projects and shows

Videos

Mission and vision

MUSICIANS

Mary-Elizabeth Brown

violinist

Hailed by critics for her “ability to unfold bittersweet magic" and "perfect command of her instrument,” violinist Mary-Elizabeth Brown’s solo engagements have taken her to notable venues and festivals across Europe, Asia, North and South America including Festival do Campos do Jordão (Brazil), the White House, and the Aldeburgh Festival (UK). As a concertmaster, she has led orchestras four continents, earning critical praise for her leadership, and collaborating with celebrated conductors Lorin Maazel, Carlos Miguel Prieto and others. She is the Concertmaster of l’Orchestre Philharmonique et Choer des Mélomanes in Montreal, and the acting Assistant Concertmaster of the National Symphony of the Dominican Republic. 

 

A highly sought-after teacher and speaker, Brown founded the AVIVA Virtual Young Artist Program in 2012, pioneering web-based pre-college music education. She created the 3D printed violins featured on Voice of AmericaReader’s Digest, BBC’s Science in Action, NPR’s Science Friday and the Hong Kong Economic Times. She was named a Teacher of Distinction by the Royal Conservatory in 2020.

 

Brown holds degrees from the University of Toronto, DePaul University, and l’Université de Montréal, as well as graduate certificates from the London School of Economics and Harvard University.  She plays on a 1766 Gagliano violin. 

 

Nayiri Piloyan

Violist

Nayiri Piloyan studied violin and viola with Claude Richard at the University of Montreal. She has participated in numerous music festivals in North America, Europe, Asia, and Africa.

 

Nayiri is a sought-after chamber music partner. Her experience includes roles as solo violinist for the Sinfonia Ensemble of Montreal, the Imperial Chamber Orchestra, the Montreal Pop Symphony Orchestra, the Serenade ensemble, first violinist of the Renaissance Quartet, violist of the Rhapsody Quartet, violist for Argentine tango groups Che Tangazo and ARTE, the tango-jazz group Rewild, as well as freelance violinist and violist with the National Jazz Orchestra of Montreal, the Graz Festival Orchestra, the Sherbrooke, Drummondville, and Longueuil Symphony Orchestras, OPNM, and the Montreal Chamber Orchestra.

 

She has performed on stage with several renowned artists such as Michael Bublé, Barry Manilow, Luce Dufault, Philippe Brach, Mario Pelchat, Richard Abel, Claudette Dion, Alain Lefebvre, Al Martino, Richard Séguin, and Marie-Michèle Desrosiers, and has contributed to various soundtrack recordings and albums.

 

In addition to music, Nayiri works as an electrical engineer. She holds a bachelor's and a DESS in engineering from the Polytechnique Montreal, as well as a leadership certificate from the Yale School of Management.

 

 

Erin James

violinist


Erin James is a multidisciplinary artist who seeks to dance the intersection between music, visual art and text through her work combining textiles and the violin. 

Her musical interests range from baroque to contemporary styles, and she thoroughly enjoys any piece that is singable or danceable. 

Erin is equally at home as a chamber musician, soloist, theatre artist and orchestral player, and her career has taken her across Asia, Europe and North America. She is as passionate about transforming garbage into art as she is about transfiguring works from the classical music repertoire to make them more vibrant and accessible. 

Erin has been supported by numerous scholarships and grants including a Bombardier Social Sciences and Humanities Research Council of Canada fellowship and funding from the Wirth Institute for Austrian and Central European Studies.

ELISA boudreau

violist

An active and versatile musician, Elisa Boudreau has been passionate about and

dedicated to music since her early childhood.

 

Elisa is a permanent member of the Orchestre Symphonique de Longueuil since June 2003 and of the Grands Ballets Canadiens Orchestra since 2001. She plays on a regular basis with the Orchestre Métropolitain and the Opera de Montréal, since 1999. She also collaborates with the main professional musical formations in Québec, such as Montreal Symphony Orchestra, Les Violons du Roy, La Pieta, SMCQ, the symphonic orchestras of Trois-Rivières, Sherbrooke, Laval.

She was heard as a Solo Viola with l’Orchestre Mondial des Jeunesses Musicales, at the Boris Brott Festival, with the Orchestre Symphonique de Longueuil and at the American Institute of Musical Studies, in Austria, for five editions.

Mrs. Boudreau holds a Higher Studies Diploma from Conservatoire de Musique de Montréal where she studied under Mr. Robert Verebes. She then perfected her skills with Mr. Roy and Mr. McNabney at McGill University where she earned a degree in interpretation with High Distinction. Later, at the Université de Montréal, under Ms Puchhammer, she obtained a Superior Diploma specialized in Orchestral Repertoire.In the mist of her studies, she benefits from the knowledge of such great masters as Yuri Bashmet, Serge Collot, Heidi Castlemann and the Pasquier Trio. The young violist

made several trips to Europe for perfection sessions with renowned viola masters such as Nobuko Imai, Ettore Causa, Tabea Zimmermann and Pierre Lenert. She was awarded grants by the Centre d’Arts d’Orford, the Canadian Arts Council and by the Conseil des Arts et des Lettres du Québec.

Two pieces

Rebecca Clarke

Lullaby and Grotesque by Rebecca Clarke (1916) This two-movement piece presents a fascinating contrast between tenderness and playfulness. Lullaby envelops the listener in a warm, flowing melody, with rich harmonies that Read more

Lullaby and Grotesque by Rebecca Clarke (1916) This two-movement piece presents a fascinating contrast between tenderness and playfulness. Lullaby envelops the listener in a warm, flowing melody, with rich harmonies that evoke a sense of intimacy and nostalgia. In stark contrast, Grotesque is lively and rhythmically sharp, with playful yet edgy interactions between the instruments.